|             |
Ohne Titel
digital work
|
                        |
Frankestein Zerah
digital work
|
                        |
Dunkel
digital work
|
                        |
Smoke
digital work
|
                        |
Smoke II
digital work
|
                        |
Ivy
digital work
|
                        |
Gulp!
digital work
|
                        |
Torso
digital work
|
                        |
Backlight portrait
digital work
|
                        |
Backlight
digital work
|
                        |
Silver
digital work
|
                        |
Bronze
digital work
|
                        |
Dead Selfportrait
digital work
|
                        |
Faun
digital work
|
                        |
Gasmask
digital work
|
                        |
Harness
digital work
|
                        |
I'M INTERESTED IN THE SEARCH FOR BALANCE AND VISUAL IMPACT OF THE IMAGES; THE UNCONVENTIONAL CONCEPTS MORE OR LESS OBVIOUS, CLEAR AND DISTINCT COLORS AND THE COLD SYMMETRIES ARE ESSENTIAL INGREDIENTS OF THE PRODUCTION THAT FOLLOWS THE IDEA OF OBJECTIVE BEAUTY.
THE USE OF MY OWN BODY AS SUBJECT OF THE WORKS IS DUE TO A STRONG LINK WITH THE CONCEPT OF BODY ART AND IS ALSO A WAY TO BE MORE FAITHFUL IN INTERPRETING MY INSPIRATIONS, SLIDING DOWN ENTIRELY IN THE CHARACTERS, EVEN IN REAL LIFE.
THE TECHNIQUE IS THE "PHOTO CONSTRUCTION" WHERE EACH ELEMENT OF THE WORK IS CUT OUT AND ASSEMBLED DIGITALLY TO THE IMAGE, FROM THE BACKGROUND TO THE CONTESTED ITEMS, TO OBTAIN A PRECISE EFFECT OF THE COMPOSITION, HOMOGENEOUS AND SURREAL AT THE SAME TIME. SINCE 2011
|
            |